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Contact:
Judy McDonough,
Compendia Music
Group
615-277-1824
jmcdonough@compendiamusic.com
Compendia
Music Group Announces Key Staff Appointments
join
the Nashville-based label
NASHVILLE,
TN - (Feb. 25, 2003) – The following key staff appointments
to Compendia Music Group were announced by Michael Olsen, president
of Compendia Music Group:
• Industry veteran Ric Pepin joins the Compendia Music label
as vice president of promotion and marketing. Pepin will oversee radio
promotion and marketing for the Compendia Music label; he will be
based in the Nashville office, and will report to Walt Wilson, VP/GM
of the Compendia Music label.
• Also joining Compendia Music Group is mastering expert Glenn
Meadows, formerly of Masterfonics, who will assume the responsibility
of all in-house mastering for the record company’s four labels:
Compendia Music, Light Records, Life² and Intersound Music. Compendia
Music Group’s mastering operations, previously housed in their
distribution center in Atlanta, Georgia, have been relocated to the
Nashville office, where Meadows will be based. Meadows will report
to Olsen.
Ric Pepin has over twenty years of experience in the music industry,
working at both major and independent labels and distribution companies
in a variety of executive positions. His twelve-year association with
BMG included stints at RCA Records and BMG Distribution and culminated
in his role as vice president and general manager of country record
label BNA; Pepin launched the label in 1991, working with artists
such as John Anderson, Lorrie Morgan and Doug Supernaw. Additionally,
Pepin was vice president and general manager of Unison Music, a division
of Word Entertainment/Gaylord, and senior vice president and general
manager of Pamplin Music Group where he worked with Natalie Grant,
Sierra and Linda McKechnie.
Recently, Pepin was a consultant on the new Joan Osborne album, HOW
SWEET IT IS, for Compendia Music Group, directing marketing and promotion
activities. Prior to joining the Compendia Music staff, Pepin worked
with Southwest Distribution and the Smith Music Group as an A&R
consultant.
Glenn Meadows started in the recording business in 1973 in that era’s
state-of-the-art studio, Atlanta’s Sound Pit; there he worked
with such artists as Mothers Finest, Sammy Johns and Gladys Knight
and the Pips. While at that legendary studio he learned the craft
of Mastering that has become his signature contribution to the music
industry. After a move to Nashville in the late 70s, he joined the
company Masterfonics, then only 2 years old, eventually becoming the
sole owner of the company by 1989.
While overseeing the expansion and development of Masterfonics, Meadows
continued to handle the mastering duties for a full client load, including
work with artists such as Steely Dan, Shania Twain, Vince Gill, Jimmy
Buffett, Johnny Cash, Alabama, John Denver, Steve Earle, Amy Grant,
Isaac Hayes, Waylon Jennings, George Jones, The Judds, Lyle Lovett,
Shelby Lynne, Reba McEntire, Tim McGraw, Bill Monroe, Willie Nelson,
The Nitty Gritty Dirt Band, Olivia Newton-John, Linda Ronstadt, George
Strait, Hank Williams Jr. and many, many others.
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